techno

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Club Control is a bold new statement.

The title track leads with some assertive attitude, a shot of heavy tech-house that gets totally spaced out in the middle. The bassline thumps through the whole way, leading some more atmospheric elements of the track until the end.

This took a lot of time to develop right. While this stands well on it’s own, I needed a second half to this single.

The B-side then became the “Dream and Bass” remix.
This remix takes the original and flips it on its head. The dramatic turn is something like a misremembered, intense view of the original - just like a fleeting dream, and just as vivid in the moment. There’s something very different here, but it’s profound.

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As the name “Fractal” implies; a complex, multipartite piece which weaves in a few different directions. Cerebral, minimal acid techno.

“Cubism” is a techy track which starts with subtle space and peaks with a big acidic bassline. Minimal, yet big on the buildup.

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This album started with a simple concept: a series of tracks centered around common instrumentation. Bells were the centerpiece for all of these songs; they differ drastically, however, in style and tone.

2008 marked the year of Karl D’s debut commercial album, Existential Funk. The album is a diverse mix of minimal techno, drum and bass, trance, breakbeat, trip-hop, and house.