house

Club Control is a bold new statement.

The title track leads with some assertive attitude, a shot of heavy tech-house that gets totally spaced out in the middle. The bassline thumps through the whole way, leading some more atmospheric elements of the track until the end.

This took a lot of time to develop right. While this stands well on it’s own, I needed a second half to this single.

The B-side then became the “Dream and Bass” remix.
This remix takes the original and flips it on its head. The dramatic turn is something like a misremembered, intense view of the original - just like a fleeting dream, and just as vivid in the moment. There’s something very different here, but it’s profound.

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Endless Winter is an EP focused on minimal house. Light rave-inspired touches give unique contrast to chilly, deep-house beats. There’s a warmth here, where you can take comfort.

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November may be pretty late for an album called The Endless Summer to be released, but it depends on your perspective.

The Endless Summer is a (tropical) departure from most of my work, all the tracks come in at 110 bpm, and bring some heavy island inspiration.

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“Shocking” could now be considered an older favorite of mine (Way back from 2013!), having been a central part of the mix SHOCKED. Although there weren’t enough originals in this mix to warrant an EP release, I really liked this track.

I had been thinking about this track a lot recently, and got inspired to create a drum & bass remix. This fits in really well with the original’s electro style while updating it with some more energy and modern touches. I think the remix is the high point of this release, but I also still like the original.

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in-flight is a short EP of experimental tech-house. All of the songs were composed exclusively onboard flights on PHX-PHL and PHX-MFR routes. The tracks are presented in a continuous mix (the intended listening experience) as well as individually.

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As the name “Fractal” implies; a complex, multipartite piece which weaves in a few different directions. Cerebral, minimal acid techno.

“Cubism” is a techy track which starts with subtle space and peaks with a big acidic bassline. Minimal, yet big on the buildup.

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Just a little over 6 years ago, I released life.remixed. Similar to what I was able to do for Existential Funk, I wanted to somehow update the release for it’s 5th anniversary.

I’ve been working on this for almost 2 years now, and today I am ready to release this “special edition” of life.remixed: life.refactored.

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The “random beats” series (the namesake of this site) was a collection of Karl D productions which were intended to be a more stripped-down standard of music production than full length albums and single releases. This series spanned 61 tracks across 5 volumes, at 2 hours, 30 minutes of music. Although the domain name preceded the series, it provided the inspiration for the nameless tracks, focusing on the music itself.

pseudorandom is a curated collection of the series, focusing on 14 standout productions (according to yours truly). The release of this compilation offers these tracks in the highest quality ever available.

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House music never won an award for being complex. In fact, the simple, escapist nature of house is not lost on me.

It’s for this reason that I feel a strong connection to house. House has a way of making life’s problems seem insignificant; and in all it’s simplicity, there is so much opportunity and freedom.

2008 marked the year of Karl D’s debut commercial album, Existential Funk. The album is a diverse mix of minimal techno, drum and bass, trance, breakbeat, trip-hop, and house.

house

Club Control

Endless Winter

The Endless Summer

Shocking

in-flight

Fractal / Cubism

life.refactored

pseudorandom

Foundation

Existential Funk