drum-and-bass

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Club Control is a bold new statement.

The title track leads with some assertive attitude, a shot of heavy tech-house that gets totally spaced out in the middle. The bassline thumps through the whole way, leading some more atmospheric elements of the track until the end.

This took a lot of time to develop right. While this stands well on it’s own, I needed a second half to this single.

The B-side then became the “Dream and Bass” remix.
This remix takes the original and flips it on its head. The dramatic turn is something like a misremembered, intense view of the original - just like a fleeting dream, and just as vivid in the moment. There’s something very different here, but it’s profound.

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Evening / Things You’ll Need to Know revisits in extended single form, two of my favorite tracks from Existential Funk. Within this release are some new remixes along some older ones; undoubtedly the stars of the show are the “Modern” mix of “Evening” and the so-called “Deeper” mix of “Things”.

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The original “Dawn of the Dread” came out in 2015, but was re-released in this single in 2021.

I wanted to have the remix in time for a Halloween 2020 release (which would have put it at about 5 years to the day after the original), but it just didn’t happen. After getting a little more time to bake, the remix gave this slow-roller breakbeat track some “oomph” with a proper drum & bass remix.

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“Shocking” could now be considered an older favorite of mine (Way back from 2013!), having been a central part of the mix SHOCKED. Although there weren’t enough originals in this mix to warrant an EP release, I really liked this track.

I had been thinking about this track a lot recently, and got inspired to create a drum & bass remix. This fits in really well with the original’s electro style while updating it with some more energy and modern touches. I think the remix is the high point of this release, but I also still like the original.

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As a young child, I read a children’s book which covered a number of natural and scientific topics. There is a part which particularly interested me which talked about the death of our Sun, to occur in 5 billion years. I would read this again and again until I was overcome with dread. Looking back this is probably a bit ghastly of a topic for 5-year old readers. As an adult, I have maintained a fascination with space, and find myself with a similar fixation on black holes.

Into the Void is presented as a concept EP in two parts, with a vision of travelling a great distance from Earth to a black hole. Starting from the excitement of beginning a journey, this moves to feelings of dread and timelessness near the end.

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This album started with a simple concept: a series of tracks centered around common instrumentation. Bells were the centerpiece for all of these songs; they differ drastically, however, in style and tone.

2008 marked the year of Karl D’s debut commercial album, Existential Funk. The album is a diverse mix of minimal techno, drum and bass, trance, breakbeat, trip-hop, and house.