You can now find both of my LP releases(Existential Funk and life.remixed) on Spotify! Become a follower and add your favorite tunes to your playlists!
I am both relieved and saddened to close out my latest project, life.remixed, with this song. Relieved that I have finally finished, after about 9 months of working on it(since the day I announced the project), and saddened that it has come to a point where it makes sense to bring it to a close.
“That’s What Tomorrow’s For” is a fitting end to this project. Stylistically, it is representative of the entire release – modern, minimal, and diverse. This track also recalls elements of Red Time, like its heavy use of electric piano and a feel that can be described as somewhat distant.
I hope you’ve enjoyed life.remixed – you can now download the whole release in a ZIP file in the Downloads section, along with all the other releases. This includes all 10 of the songs, as well as the cover art for the album.
life.remixed will probably be my last LP release – but to say I’m done making music could not be further from the truth. I’m already hard at work at the next project, which I hope to have ready for you soon.
This track got shelved on several occasions. At one point, it got deleted entirely before completion, because I didn’t think I could make it work. After doing so, the melody kept coming back to me, so I found a way.
There were several directions I ultimately wanted to go, which led to the inclusion of the Kraftwerkian electro break near the middle. At one point during production, this variation might have built the entire song, but a little variety gives this track a robust character.
A bit of hard dance should brighten up the momentum of life.remixed.
Hard house and hard trance used to be my bread and butter. Now, compared to the dark trip-hop/breaks/general electronic style that dominates my style overall, this kind of release is somewhat anomalous.
I hope you find this one as exciting as I do. This hard dance track is by far, the most “modern” one I ever remember producing.
The title is pronounced like Alicia Silverstone would in the movie Clueless.
Spacey breaks characterize this cinematic track. Also, the “Shitty Strings” make a reappearance here, to great effect. Two variations in the main melody maintain a feeling of dread throughout the song.
Some may find the title a little silly, but the ideas behind it are plenty serious. Allow me to explain:
Rastafarians, as part of their culture, adhere to a strict diet that includes no meat, and mostly fresh fruit and vegetables. Having this kind of a diet in Rastafarian culture is referred to as “Ital“. The primary goal of adhering to these kinds of dietary principles is to increase the purity of the food they eat.
Although you won’t be seeing dreadlocks on my head anytime soon, the overall Jamaican influence of this track was inspired by my own dietary experiences lately. The food I eat these days generally does not include processed food, high amounts of fat or sugar, and as few preservatives as possible. Doing so has certainly benefited my well being overall. I think that having learned about Rastafarian culture over the years has, to some degree, helped me understand why it is important to care about what you eat.
So, I’m returning the favor with some deep-dub reggae.
If you can figure out the acronym without any help from me, you deserve a prize. Put it in the comments if you think you’re clever enough!
My goal was for “SCAR” to be somewhat of a hybrid of acid house, dub, and techno. Like some of the previous entries, this track’s instrumentation is stripped down to the bare essentials.
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